Seeking paradise: The image and reality of truck art

Raindrops fall from the sky on bare winter trees, their branches spread in the manner of a person wailing with arms spread out. The golden beams of a sun filtering through clouds turn these droplets into prisms that throw up curious combinations of emerald, green and turquoise. Another array of raindrops gleams like small mirrors, suspended to bare boughs running from one end to the other.

This is not a scene from a mountain valley coming back to life after heavy snows. It is not even the creation of a writer’s fertile imagination. It is part of the fantastical imagery often found painted on trucks plying across Pakistan. Be fascinated by it and call it truck art. Be detached and you will see it as mere decoration. For a truck driver, it is the make-up of his “bride”.

In the metamorphosis of a truck into a bride, the body parts of the vehicle assume human aspects. The silver, metallic decoration on top of the driving cabin is a taj, a crown; the windscreen is matha, the forehead; and the bonnet is hont or lips. The lowest part of a truck’s front – where the bonnet meets the chassis and tyres – is adorned with golden metal bells, ghunghroos, hanging by a series of vertical steel chains.